"We've always had a chemistry," Nash explains. Even at the point when we hated each other, on stage you would never know." "We just jelled and had a good rapport on stage. On their second album, Derelicts of Dialect, they upped their persona as protectors of true hip-hop culture, taking aim at pop stars MC Hammer and Vanilla Ice. They struck chart gold again with the anti-commercial rap anthem "Pop Goes the Weasel," fueled by a video that featured a Vanilla Ice impersonator (played by Henry Rollins) getting a beatdown.
"It wasn't as if we were some outsiders that came in and tried to jump on the bandwagon. "We respected the music and knew that it was black music and paid the proper respect and didn't clown with it. "I don't think hip-hop is about race," adds Serch. Because if you lose that base, you lose what the culture is, which is a voice of the people in the streets." "What it is about is people who respect the culture and respect where the culture came from. The last true 3rd Bass track was the grimy theme song to the 1992 Cuba Gooding flick Gladiator, which came out just as they finished a tour with Cypress Hill and split up. Both cite "personal and creative differences," along with growing disdain from two years of living on the road. In classic hip-hop fashion, they each released a solo album: Serch's Return of the Product and Pete Nice's Dust to Dust, both of which did respectably. Neither achieved the success of 3rd Bass and Nash moved on to other things. He says he was pushed over the edge by the death of his friend Subroc, of the rap group KMD, who was struck by a car crossing a highway. "At that time you could say I was soured on the music business," Nash remembers. See the padlock symbol shown by most browsers when you checkout.Serch and Pete Nice didn't talk for several years until some mutual friends brokered a peace talk and they and Daddy Rich all agreed to play the Woodstock '99 festival.
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#Album or cover 3rd bass the cactus album full#
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